Very Famous Art Person Show Feeling in There Art

If you're like most artists I know, the job of writing your Creative person's Statement feels like torture. You may question, why doesn't the piece of work speak for itself? Only, you've probably also learned that throughout your art career you will be frequently asked to provide ane. A well-written Artist's Statement is essential and is 1 of the most powerful art marketing tools you volition have.

Enjoy browsing the art and reading the following statements written by famous artists. They take influenced multitudes of artists and art enthusiasts and mayhap their words might resonate with you. They may comfort you to know they too probably suffered from writer's block when writing about their fine art.

This commodity contains excerpts from my eastward-Book "How to Write Your Creative person's Statement"  a detailed lxxx+ folio resource that contains step-by-step guidance, many examples of Artist's Statements, tips and exercises to guide your through the procedure, and more than.


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Pierre Bonnard

artist statement
Pierre Bonnard, Le corsage rayé, oil on canvas, 25 1/eight″ 10 17¾".

"I'm trying to do what I have never washed – requite the impression one has on entering a room: one sees everything and at the same time null."

Judy Chicago

Judy Chicago (American, born 1939). The Dinner Party, 1974–79. Ceramic, porcelain, textile, 576 × 576 in. (1463 × 1463 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.10. © Judy Chicago. (Photo: Donald Woodman)
Judy Chicago (American, born 1939). The Dinner Political party, 1974–79. Ceramic, porcelain, textile, 576 × 576 in. (1463 × 1463 cm). Brooklyn Museum, Gift of the Elizabeth A. Sackler Foundation, 2002.ten. © Judy Chicago. (Photo: Donald Woodman).

"Because we are denied cognition of our history, we are deprived of standing upon each other's shoulders and building upon each other'south hard earned accomplishments. Instead we are condemned to echo what others have done before us and thus we continually reinvent the bicycle. The goal of 'The Dinner Party' is to break this bike."

Gustav Klimt

The Buss, 1907–08, oil on canvas, 70-7/eight″ x 70-seven/8″. Österreichische Galerie Belvedere, Vienna. Photo: Google Fine art Projection, Public Domain.

"I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, higher up all women… At that place is zip special about me. I am a painter who paints day after day from morning to night… Who always wants to know something about me… ought to expect carefully at my pictures."

Religion Ringgold

Faith Ringgold, American People Series #20: Die, (1967)
Faith Ringgold, American People Series #20: Die, (1967).

"I'm not presumptuous enough to feel that people are going to feel what I have in mind, and so I tell a story, you know, let them read something, that doesn't modify, that as I have said it, yous know, and then that'southward the way I experience about the viewer, the viewer has a mind of their own and eyes of their own and they're going to meet information technology their way, I just promise they look."

Wassily Kandinsky

Wassily Kandinsky, Improvisation 28, oil on canvas, 111.4 x 162.ane cm. Solomon R. Guggenheim Museum, New York

"I let myself go. I thought little of the houses and trees, merely applied colour stripes and spots to the canvas… Inside me sounded the memory of early evening in Moscow – before my eyes was the stiff, colour-saturated calibration of the Munich low-cal and atmosphere, which thundered deeply in the shadows." He likewise wrote, "I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could…"

Jackson Pollock

Jackson Pollock, Convergence, painting created in 1952 which is an example of the "allover" painting process.
Jackson Pollock, Convergence, 1952, oil on canvass; 93.5″ 10 155″. Some trivia: In 1964, the puzzle making company, Springbok Editions, released "Convergence", a 340-piece puzzle that they promoted as "the world's almost hard puzzle".

"I want to express my feelings rather than illustrate them. It doesn't matter how the pigment is put on, as long as something is said. On the flooring I am more than at ease. I feel nearer, more than role of the painting, since this mode I can walk around it, work from the 4 sides and literally be in the painting. When I'm painting, I'm not aware of what I'm doing. It'due south only later a become acquainted period that I encounter what I've been about. I've no fears about making changes for the painting has a life of its ain."

Georgia O'Keeffe

Georgia O'Keeffe, Blue Flower, 1918. Pastel on paper mounted on cardboard, 20 × 16 in. (50.8 × 40.6 cm). Georgia O'Keeffe Museum, Santa Fe, New Mexico; gift of The Burnett Foundation. © Private collection
Georgia O'Keeffe, Blue Flower, 1918. Pastel on paper mounted on cardboard, xx × sixteen in. (50.8 × 40.6 cm). Georgia O'Keeffe Museum, Santa Fe, New Mexico; gift of The Burnett Foundation. © Private collection

"When you have a blossom in your paw and actually look at information technology, it's your world for the moment. I want to give that globe to someone else… Nobody really sees a flower – really – it is then small – we haven't fourth dimension – and to see takes time… So I said to myself – I'll paint what I run into – what the flower is to me but I'll paint it big and they will be surprised into taking fourth dimension to look at it."

Henri Matisse

Henri Matisse, Harmony in Red, oil painting, 70" x 86".
Henri Matisse, Harmony in Red, oil painting, seventy″ 10 86″.

"I don't paint things; I paint only the differences between things… I practice not literally paint that table, simply the emotion it produces upon me. What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing bailiwick matter – a soothing, calming influence on the heed, rather like a good armchair which provides relaxation from physical fatigue."

Mark Rothko

artist's statement
No. fourteen, 1960, oil on canvas, 114-1/ii″ in. ten 105-5/8″.

"I don't express myself in my painting. I express my not-self. The dictum 'Know Thyself' is only valuable if the ego is removed from the process in search for truth… The fact that people break down and cry when confronted with my pictures shows that I tin can communicate those bones human emotions… the people who cry before my pictures are having the aforementioned religious feel I had when painting them. And if you say you are moved only by their colour relationships then you miss the betoken."

Claude Monet

artist's statement
Branch of the Seine near Giverny. Public domain.

"For me, a mural does not exist in its own right, since its appearance changes at every moment; only the surrounding atmosphere brings information technology to life.. the air and the light which vary continually. For me, it is merely the surrounding atmosphere which gives subjects their true value."

Berte Marisot

Painting by Berthe Morisot
Painting past Berthe Morisot

"Information technology is of import to limited oneself… provided the feelings are real and are taken from your own experience… My ambition is limited to capturing something transient and still, this appetite is excessive."

Philip Guston

artist's statements
Philip Guston, Cherries Iii, oil on sail, Honolulu Museum of Art, accession 7008.

"Painting seems like some kind of peculiar miracle that I need to have again and once again… I am a night painter, so when I come into the studio the adjacent morning the delirium is over… Usually I am on a piece of work for a long stretch, until a moment arrives when the air of the capricious vanishes, and the paint falls into positions that feel destined."  He also brash artists,  "Let your 3rd hand do the painting."

Louise Bourgeois

Louise Conservative, Spider. Executed in 1996 as an edition of six and bandage in 1997; bronze with a silver nitrate patina, with the starting time of the edition being steel.

"I've fatigued my whole life. My parents were in the tapestry restoration business, and as a young girl, I would describe in the missing parts of the tapestry that needed to be re-woven. My ability to draw fabricated me indispensable to my parents.

I came from a family unit of repairers. The spider is a repairer. If you fustigate into the web of a spider, she doesn't get mad. She weaves and repairs information technology. 'The Spider' is an ode to my mother. She was my all-time friend. Like a spider, my mother was a weaver. . . Similar spiders, my female parent was very clever. Spiders are friendly presences that eat mosquitoes. Then, spiders are helpful and protective, just similar my mother."

Pierre-Auguste Renoir

free images
Auguste Renoir, Diana, 1867, oil on canvas

"I have neither rules nor methods… I look at a nude and I see myriads of infinitely  pocket-sized tones. I must find those that will make the flesh on my canvas alive and vibrate."

Piet Mondrian

painting by Piet Mondiran
Composition Two in Red, Blue, and Yellow, oil on canvas, eighteen″ ten 18″, 1930.

"Everything is expressed through relationship. Colour can be just through other colours, dimension through other dimensions, position through other positions that oppose them. That is why I regard human relationship as the principal thing."

Edward Hopper

Edward Hopper, Automat, oil on canvas
Edward Hopper, Automat, oil on canvas, 28″ x 36″.

"Information technology's to pigment directly on the canvas without whatsoever funny business organisation, as information technology were, and I use almost pure turpentine to start with, adding oil as I go forth until the medium becomes pure oil. I use as footling oil as I tin can mayhap help, and that's my method."

Alice Aycock

Sculpture by Alice Aycock, "Cyclone Twist," 1 of her public fine art installations on Park Artery, in New York, NY, 2014, created with aluminum and fiberglass.

"I tried to visualize the move of current of air free energy as it flowed up and downward the Artery creating random whirlpools, touching down hither and in that location and sometimes forming dynamic three-dimensional massing of forms. One of the works, in item, references the expressive quality of wind through drapery and the chaotic beauty of fluid/flow dynamics. As much as the sculptures are plain placed on the mall, I wanted the piece of work to have a random, haphazard quality – in some cases, piling up on itself, in others spinning off into the air." (Source: Press release announcing Alice Aycock'due south public art installation, received from Marlborough Gallery, New York, NY) ~ Alice Aycock www.aaycock.com

Jim Dine

artists statements
Jim Dine is seen here speaking with two patrons at the Galerie de Bellefeuille in Westmount, on the evening of a vernissage in 2009. Photo credit: Martin C. Barry.

"I'thou not a Pop artist. I'm not function of the move because I'm too subjective. Popular is concerned with exteriors. I'g concerned with interiors. When I use objects, I run into them as a vocabulary of feelings. I can spend a lot of fourth dimension with objects, and they get out me as satisfied as a expert meal. I don't think Pop artists feel that mode. Their piece of work merely isn't autobiographical enough. I think it's of import to be autobiographical. What I endeavor to do in my work is explore myself in physical terms—to explain something in terms of my ain sensibilities."

Amadeo Modigliani

artist's statement
Amedeo Modigliani, Woman with a Fan

"What I am seeking is not the real and non the unreal merely rather the unconscious, the mystery of the instinctive in the homo race."

Grandma Moses

Grandma Moses, Morning Day on the Farm, 1951.
Grandma Moses, Morning Day on the Farm, 1951. She took up painting in her late 70s, to keep herself busy once arthritis had made it besides difficult to sew together.

"I paint from the pinnacle downward. From the sky, then the mountains, then the hills, so the houses, and so the cattle, and so the people. I wait out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get gear up to paint I just close my eyes and imagine a scene. I'll get an inspiration and start painting; so I'll forget everything, everything except how things used to be and how to paint information technology and then people will know how we used to live."

Leonardo da Vinci

Leonardo da Vinci, Salvator Mundi. wikipedia

"The beginnings and ends of shadow lie between the low-cal and darkness and may exist infinitely diminished and infinitely increased. Shadow is the means by which bodies display their grade. The forms of bodies could not be understood in detail but for shadow."

He also said "Where the spirit does not piece of work with the hand, there is no fine art."

Henri de Toulouse-Lautrec

artist's statement
Henri de Toulouse-Lautrec, At the Moulin Rouge, The Dance, oil on canvas, 39.v″ ten 59″.

"(People) desire me to finish things. But I see them in such a manner and paint them accordingly… Nothing is simpler than to complete pictures in a superficial sense. Never does one lie so cleverly as so."

Jean Michel Basquiat

artist's statement
Jean Michel Basquiat

"I outset a moving-picture show and I finish information technology. I don't think about art while I work. I attempt to think well-nigh life."

Edvard Munch

art and quotes
Edvard Munch, The Scream, www.edvardmunch.org

"I was walking along a path with ii friends – the sun was setting – all of a sudden the heaven turned blood red – I paused, feeling wearied, and leaned on the fence – in that location was blood and tongues of fire above the bluish-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature."

Frances Bacon

artist's statements

"The job of the artist is always to deepen the mystery."

Andy Warhol

Andy Warhol, Marilyn Monroe
Andy Warhol, Marilyn Monroe, silkscreen impress

"I long for the old days of Marilyn Monroe and Audrey Hepburn, stars who had existent glamour and mystique. Nosotros only knew and then much about their lives; the residual was a mystery… My fascination with letting images repeat and repeat – or in film's instance 'run on' – manifests my belief that nosotros spend much of our lives seeing without observing."

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Source: https://renee-phillips.com/art-and-artists-statements-by-famous-artists/

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